Name: Art and Globalization (The Stone art Theory Institutes) (en Inglés)
Price: 2932.00 UYU
Availability: InStock
Author: james elkins,zhivka valiavicharska,alice kim
ISBN: 9780271037172

portada Art and Globalization (The Stone art Theory Institutes) (en Inglés)

Art and Globalization (The Stone art Theory Institutes) (en Inglés)

Formato

Libro Físico

Editorial

Penn State University Press

Autor

james elkins,zhivka valiavicharska,alice kim

Categoría

Libros de Textos

Año

2011

Idioma

Inglés

N° páginas

304

Encuadernación

Tapa Blanda

ISBN13

9780271037172

N° edición

Art and Globalization (The Stone art Theory Institutes) (en Inglés)

James Elkins,Zhivka Valiavicharska,Alice Kim (Autor) · Penn State University Press · Tapa Blanda

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Reseña del libro "Art and Globalization (The Stone art Theory Institutes) (en Inglés)"

The “biennale culture” now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art. Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee. Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today.