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Renegade EDO and Paris: Japanese Prints and Toulouse-Lautrec (en Inglés)
Xiaojin Wu
(Autor)
·
University of Washington Press
· Tapa Blanda
Renegade EDO and Paris: Japanese Prints and Toulouse-Lautrec (en Inglés) - Wu, Xiaojin
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Reseña del libro "Renegade EDO and Paris: Japanese Prints and Toulouse-Lautrec (en Inglés)"
Both the Edo period (1603-1868) in Japan and the late nineteenth century in France witnessed a multitude of challenges to the status quo from the rising middle class. In Edo (present-day Tokyo), townspeople pursued hedonistic lifestyles as a way of defying the state-sanctioned social hierarchy that positioned them at the bottom. Their new pastimes supplied subject matter for ukiyo-e (pictures of the floating world). Many such pictures arrived in France in the 1860s, a time when French art and society were undergoing substantial changes. Fin-de-siècle Paris, like Edo before it, saw the rise of antiestablishment attitudes and a Bohemian subculture. As artists searched for fresh and more expressive forms, Henri de Toulouse-Lautrec (1864-1901) and his contemporaries were drawn to novel Japanese prints. While ukiyo-e's formal influences on Toulouse-Lautrec and his peers have been well studied, the shared subversive hedonism that underlies these artworks has been less examined. Through a wide selection of Japanese prints and Toulouse-Lautrec works, this book offers a critical look at the renegade spirit inhabiting the graphic arts in both Edo and Paris, highlighting the social impulses behind a burgeoning art production.Exhibition dates: Seattle Asian Art Museum, July 21-December 3, 2023
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